de cox » Mie Mar 09, 2016 7:54 pm
,,Pentru ca merita ?!'' da sigur, Dulgheru ,,judecatorul suprem'' ... Cine te crezi ?
,,Inainte sa te contrezi cu mine, citeste asta!
StefanSC''
Ce original ... Asta trebuie sa fie ceva la intimidare, sa nu fii contrazis ca nu-i voie ?
Aaa ... daca vrei sa ne lansam intr-o ,,cruciada'' de citate culese de pe web, gasesti pareri pro si contra cate vrei ...
Ce zice Ken Rockwell :
,,The Nikon 85mm f/1.4 AF-S G is simply astonishing. It is the first lens I have ever used in over 40 years of photography that excels at both the scientific aspects (sharpness and lack of coma, especially at f/1.4 in the corners), and the artistic aspects of defocus, all at the same time. Every other lens I've used is either super-sharp, but renders distracting backgrounds (most aspherical lenses), or others may may have pleasant bokeh, but aren't always that sharp (like the previous 85mm f/1.4 AF-D, whose corners never really get sharp).
This is probably why the few other people who already have this new lens have also been trying to pick themselves up off the floor after shooting with it.
This new Nikon 85mm f/1.4 is one of the best lenses ever made. It is super-sharp, even at f/1.4. Out-of-focus backgrounds simply melt away into undistracting softness due to this lens' spectacular bokeh, at many apertures.
It works magnificently on the 36 MP D800.
This lens' images quickly grab the attention of anyone who's paying attention. The subject pops into extreme sharpness, while the backgrounds just melt away into velvety smoothness.
This new 85mm f/1.4 does this not at just f/1.4; it does this at every aperture. It is super-sharp even at f/1.4 clear out to the corners, and backgrounds remain soft and undistracting even at smaller apertures. The guys at Nikon really pulled off a very subtle and powerful thing with the bokeh of this lens, as I sort of expected, but never to this extent.
The images made by this lens are simply beautiful. I usually want everything ultrasharp, which this lens does, but if there are backgrounds, they fade away into smooth softness, not the unsharp business of lesser lenses.
Backgrounds never distract, even at smaller apertures.
For artists, this allows us to create three-dimensional images with subjects that rise out of their backgrounds. For scientists, it allows more sharpness at faster apertures than any other Nikon lens. (The 200mm f/2 VR II is also very sharp, but a stop slower.)
For scientists, this 85's corner coma performance easily exceeds the exotic 58mm f/1.2 Noct-NIKKOR. Both the Noct and this 85/1.4 have no coma to keep points of light sharp in the corners wide-open, and this 85/1.4 is much sharper than the Noct in the corners at large apertures. Good-night, Noct!
Nikon's new 85mm f/1.4 lens is the latest professional lens from Nikon, replacing the clunkier old 85mm f/1.4 AF-D (1995-2010). Professional photographers have been expecting this AF-S lens since 2007 when Nikon unveiled their first full-frame digital camera, the D3.
Throughout history, when a pro photographer has mentioned their very favorite lens, it's either their f/2.8 tele, or their 85mm f/1.4 lens, either the 85mm f/1.4 AI-s (1981-2006) or the 85/1.4 AF-D (1995-2010). 85mm f/1.4 lenses are this good and this useful to professionals who know what they want, as opposed to trying to cover every unnecessary focal length with a slew of zooms.
85mm f/1.4 lenses deliver the goods, and this new AF-S is by far Nikon's best 85/1.4 yet.
This new Nikon 85mm f/1.4 improves on the previous versions by adding instant manual-focus override, and has optical performance far superior to either of Nikon's previous, and also excellent, 85mm f/1.4 AI-s and 85/1.4 AF-D.
The old 85/1.4 AF-D required moving a control ring to go between auto and manual focus. Good riddance, especially since this lens is usually used for portraits and action, like rock concerts, where instant access to manual focus is a must-have.
Refreshing is that Nikon hasn't pimped-out this professional lens. This 85/1.4 has no aspherical elements, no ED glass and no VR, just great performance through traditional optics done brilliantly.''
Asa in linii mari spune ca e una dintre cele mai reusite optici pe care le-a uzat in 40 de ani de cand fotografiaza (comparabil cu legendarul 58mm f/1.2 Noct-NIKKOR) ... apoi ca se merita ori nu banii, tine doar de bugetul fiecaruia.
Nu denigrez 85 1.8, am si spus ca in lipsa de buget e un bun compromis , dar 85 1.4 e altceva.
Nu neaparat pentru ca este un 1.4, dar este in alta clasa, constructia nu se compara, de aceea si diferenta de pret.
Parerea ta ,,SC Stefan'' ca nu se merita diferenta de bani intre un 85 1.8 si 85 1.4 e subiectiva la fel cum este si a mea de a sustine contrariul.
Dpmdv fata de economicul 1.8G (care este un bun compromis), cu diferenta de bani castigam vizibil sharp la 1.8, diafragma cu 9 lamele ofera un bokeh mai rafinat, tratamentul Nano Crystal pentru reflexii nedorite , corpul in lega di magneziu mai robust si afidabilitatea in timp evident superioara.
Mult sau putin este relativ, daca primeaza calitatea maxima sau ne multumim cu un bun compromis la pret economic este alegerea fiecaruia.
Pe criterii mai mult sau mai putin obiective, unii sunt dispusi sa plateasca acea diferenta, altfel 85 1.4 ar iesi din fabricatie din lipsa de vanzari.
Nu contest ca 85 1.8 este una dintre cele mai vandute optici Nikon chiar daca nu este cel mai bun 85 la modul absolut.
Inclin sa cred ca pentru fotografii profesionisti care prefera sa lucreze cu 85 1.4, nu este o problema diferenta de pret.
,,Scrisul corect si ingrijit denota respect pentru ceilalti membri si pentru propria persoana.'' Anonim